Torben

Documentary Filmmaker & Producer :: Storyteller :: Thai Speaker :: Hip-hop Experimentalist

Backpacking is the art of knowing what not to take.

Sheridan Anderson (via tamworthlyceum)

As is art?

(Source: campfiresmell, via femmeviva)

magictransistor:

Ouroboros (Tail-swallowing serpent symbolizing all time and eternity), c. 1760.
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magictransistor:

Ouroboros (Tail-swallowing serpent symbolizing all time and eternity), c. 1760.

(via femmeviva)

With relief, with humiliation, with terror, he understood that he also was an illusion, that someone else was dreaming him.
— Jorge Luis Borges — from “The Circular Ruins” (via slothnorentropy)

(via femmeviva)

Travel. As much as you can. As far as you can. As long as you can. Life’s not meant to be lived in one place.

Monica Vitti, Michelangelo Antonioni, Sophia Loren and Carlo Ponti at the Fiumicino Airport, c. 1961

(Source: gelsominas, via andreii-tarkovsky)

Thank you, dearest Giulietta… And please, stop crying!

(Source: taniadoeslittle, via andreii-tarkovsky)

michaeldantedimartino:

zukosbeautifulbooty:

unm BLESS THE GRANDCHILDREN OF WHOMEVER MADE THIS

This is great! Kind of sums up Avatar perfectly.  Forgiveness and compassion are powerful things.

(Source: maldoraan)

Werckmeister Harmonies (2000)

(Source: andreii-tarkovsky)

F for Fake: A study of Orson Welles' film noses - Part 1: The 1940s

idlesuperstar:

image

From Orson Welles’ Sketchbook - 1955

Let me tell you something: I LOVE Orson’s nose. I have loved Orson’s nose for almost as long as I’ve loved Orson. Since, in fact, the second film I saw him in (The Lady From Shanghai). I hadn’t realised, watching the first (Jane Eyre) that it was not…

(via you-refromanothertime)

slackseyobrien:

Claudia Cardinale listens to Ella Fitzgerald records, 1959

slackseyobrien:

Claudia Cardinale listens to Ella Fitzgerald records, 1959

(Source: tinasinatra, via dostoyevskyreader)

15,789 Plays
Bobby Vinton
Blue Velvet

mrgolightly:

Bobby Vinton - Blue Velvet

(via you-refromanothertime)

tarkovskologist:

Martin Scorsese in "A Personal Journey with Martin Scorsese Through American Movies (1995)"

(via you-refromanothertime)

the-dark-city:

And then what did he do? Did he train you? Did he rehearse you? Did he tell you exactly what to do, what to say? You were a very apt pupil too, weren’t you? You were a very apt pupil! Well, why did you pick on me? Why me?!

"Vertigo" (1958) dir. by Alfred Hitchcock

(Source: mrhitchcocks)

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